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"That Waist!" - Photo Editing at the Turn of the Century

corsets Edwardian Foundations Revealed historical costuming history informational research s-bends Victorian Worth gown

Corseting and tiny waists have been back in discussion lately, primarily due to Cathy Hay's excellent post about the importance of viewing the past and present objectively, particularly when it comes to corsetry and fashion. Here is another great write-up about corsetry myths. If you haven't read these articles, stop, go do that, then come back here.

We tend to look at photos from the 1860's-1910's and think, "wow, women had such small waists back then!" This look is especially extreme right around the turn of the century, when the "S-Bend" shape became the silhouette of choice. But these women were not all that different from you and me. My great great grandmother wore corsets. Four generations is really not much in the context of human evolution. So--how did they do it? They wore corsets from a young age, yes. They sometimes employed bust and hip padding. A few did tightlace to extremes. However, the story does not always end there.

It is well documented--but perhaps not as well known--that photo editing was extremely common in this period. Technique manuals and guides were published for portrait studio artists. Editing involved scraping, drawing, and painting directly on the negative. Common edits included smoothing of skin, softening angles of collarbones, shoulders, and faces, and removing blemishes. What, you didn't really think your great great uncle George had perfect skin, did you?

Retouching did not stop there--by strategically placing their subjects in front of plain, darker backgrounds, it was quite simple for a skilled photographer to change the very shape of the body.

Once we know what to look for, retouching becomes quite obvious. It is there in the smooth cheeks of Edwardian women, in the impossibly sloped shoulders of debutantes, in the famous waist of Polaire. She is often used as an example of the "horrible" torture that women supposedly endured.

Out of pure curiosity, I decided to employ some old fashioned retouching techniques to one of my Worth Gown photos. The results are fascinating.

This photo was taken in 2017. I am wearing an S-Bend corset with a 4" waist reduction, about twelve (!) shoulder pads pinned to my hips for padding, and a bust improver.  This gives me a difference of almost 20" between waist and hips--which is pretty extreme already. I am "lucky" to currently have a figure that is similar to the Edwardian ideal, and I acknowledge that it does help with this illusion. In full disclosure, I have a 22.5" corseted waist in this photo. That is measured over the corset, but not over the gown. If I took a measurement over all layers, it would probably be closer to 24", a far cry from the legendary 18" waist.

Left photo: Color, lighting, and contrast have been edited. My figure is unedited.
Center: Showing where the waist would likely be carved in by a turn of the century retouch artist
Right: Full set of edits meant to mimic Edwardian beauty retouching

I was really surprised to see how "right" the last photo looked, even though it is clearly a fantasy. If I waist trained regularly I might be able to get down to that size, but it is unlikely. Polaire did waist train, and most of her photos were still retouched.

My takeaway from this little exercise is that we should be kinder to ourselves about our figures in general, and especially when it comes to wearing historical costuming. The camera has been lying since the advent of photography. Now, we use filters, photoshop and facetune to correct perceived flaws. We're not all that different from our ancestors after all, are we?



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  • Jacquelyne Coupland on

    Great read! I always thought that those waistlines were impossible. And that dress you are wearing is amazing. Is it possible to get one made exactly like that? Or is it one of a kind? Please let me know thank you

  • Karen on

    I remember working in a photographic archive for my internship and learning all the tricks the photographer did to glass plate negatives. I love it when people say there was no Photoshop back then because I get to laugh!

  • Judith Marlene McFarland on

    That was a very good article. Until I read it I mever really considered photographic retouching. Thank you.

  • Val LaBore on

    Great explanation and examples of how this was done, Cynthia. In my fashion shows & presentations, I often explain the “real” story of corsets to non-costuming ladies.
    Val

  • Cathy Hay on

    Yes!! This is brilliant, what a great experiment! Thank you for adding to the discussion!


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