Frequently Asked Questions
Contact us for current scheduling firstname.lastname@example.org as the length of our waitlist is always changing.
As of 2021 we are primarily focused only on corsetry. We make costumes for theatrical and entertainment clients on occasion. We no longer accept custom gown or costume orders for individual retail clients. No exceptions.
Our corsets are historically accurate in silhouette and patterning. We use modern materials when necessary to approximate historical products which are no longer available, such as whalebone. We use grommets for all of our standard/stock corsets because they are sturdy and economical, but these did not exist until the 19th century. We are happy to do hand bound eyelets instead by request on custom orders. Our construction techniques are a blend of historical methods and modern theatrical methods. We choose one or the other by taking into consideration durability, visual appeal, and construction ease. All corsets are machine stitched.
Anywhere from a few hours to fifty+ hours depending on the style.
All of our corsets are handmade in small batches or one at a time in our studio in the USA. That immediately raises our overhead costs significantly when compared to the mass manufactured corsets made in Pakistan or China which are churned out in factories by the thousands. We also use top-quality materials and focus on providing excellent fit and historical accuracy. Our custom sizes are drafted specifically to fit you and made to your exact specifications. Finally, we bring years of corsetmaking experience, formal education, and historical research to our work. You can't get that from Amazon
Believe us, we wish they didn't have to cost more, because we understand how frustrating the current fashion market is for plus size women. However, our plus sizes are quite different from the standard range. They are different drafts, not simply scaled-up versions of standard sizes. We've taken care to add more boning and in some cases more seams to help with fit and support. All of this comes at an additional material and labor cost.
Large manufacturers are able to absorb the cost of the extra fabrics and materials used in plus sizing across their entire size range; the XS helps pay for the 2X etc. When you're manufacturing 1,000 or 10,000 pieces, that works. However, this is simply not possible at our small scale. We've done our best to keep the pricing differences as low as possible.
Cynthia hand drafts or drapes all patterns based on either historical examples and/or designer sketches (unless otherwise noted). Our corset patterns are our own and have been developed in our studio over several years. We do sell several styles for those who want to try making their own corsets.
Costume and corset supplies are widely available online from many retailers. Here are some suggestions:
Sew Curvy (UK)
Whaleys Bradford LTD (UK)
Richard the Thread (USA)
Wawak Sewing (USA)
Renaissance Fabrics (USA)
Burnley and Trowbridge (USA)
Silk Baron (USA)
We also sell corset kits that coordinate with our pattern line. Our wooden busks are a Redthreaded exclusive and are manufactured for us by a local workshop.
The Redthreaded location in Longmont, CO is a working studio, not a retail storefront. However, we are happy to arrange fittings and studio visits by appointment. We charge a $30 initial consultation fee for all new clients. This fee will then be applied towards any finished corsets if purchased. This fee cannot be applied towards patterns or other products.
Generally, no. We are unable to give product away for free. This would cut into our profit margins significantly and make it difficult for us to stay in business. However, we do occasionally offer quantity discounts.
Redthreaded does not offer internships and is not hiring. If that ever changes, we'll make an announcement on social media, our mailing list, and job sites.
Books, pinterest, costume films, museums, art exhibits, social media, and the world around us.
The bulk of our work is done on industrial Juki DDL-8700H machines with servo motors. They are fast, quiet, self oiling, and incredibly reliable. Our studio also has a Juki industrial serger, a Singer 20U zigzag industrial, a Bernina 1008, a blind hemmer, and two Singer 1591 machines.
We recommend used mechanical Bernina or vintage Singer machines for costumers and corsetmakers just starting out, who need a reliable machine with multiple features. Most new machines are half plastic and break down after a year or two of regular use.
Business and Education Questions
Cynthia has a BFA in Costume Technology from the University of North Carolina School of the Arts. In addition to her formal training she also regularly seeks out new books, information, and research, and stays active with the historical costume community online.
The rest of the Redthreaded team has studied theatrical costuming as well at universities across the United States.
In many ways, this is easier now than it used to be. There are many tutorials and classes for sewing, both online and in person. Check with your local fabric and craft stores. We always recommend going back to the established basics (books!!!) for sewing skills and technique reference. As with any art or craft, sewing skills are honed through repetition and practice and study of technique. If there is a specific technique you would like to learn, chances are good that there is a book about it.
Universities that many of our friends and colleagues have attended include (but are absolutely not limited to):
UNC School of the Arts, FIT, FIDM, Cincinnati Conservatory of Music, CU Boulder, Northwestern University, Boston University, University of Evansville, UNC Chapel Hill, UNC Greensboro, Ohio University, Ohio State, UT Austin, Carnegie Mellon University, Yale, New York University, UCLA, UC San Diego, University of North Texas, Dalhousie University (Canada), CALArts, University of Southern Florida, University of Florida, DePaul University, SUNY Purchase, Emerson College, Savannah College of Art and Design
These are all North American schools. We are unfamiliar with the university system in most other countries. However, Cynthia dreams of someday studying with the School of Historical Dress in London.
Much of Cynthia's corsetmaking knowledge has come through many years of research and trial and error. There is no substitute for doing your own reading and investigation. Current beginners are lucky, because there are many more resources now. Here are some great places to start:
Books – You simply cannot beat books for costume research. Here is an Amazon list of a bunch of helpful titles. We have read many of these cover to cover. Many of these can be gotten through inter-library loan programs.
Facebook/Social Media – There are a number of corsetmaking and costuming groups on facebook that have excellent information.
The vast majority of us have formal training, meaning a BFA or MFA in costume, theater, fashion, or closely related field. Most professional theatrical costume positions require or strongly prefer formal education. However, there are exceptions to that rule. Whether you intend to study costume formally or not, work on your sewing skills and fashion history knowledge. You can look into volunteering with local theatres, sewing businesses, etc. Take classes at sewing studios, or online if there is nothing available locally.
Firstly, we believe it's prudent to make sure you have a good savings safety net before jumping in. Costuming is not a get rich quick—or ever—scheme, and statistically most small businesses fail. It's also best to start as a side project while working an outside job. Build up your making skills, product, branding, client base, and business knowledge. Much of the job is admin, emails, and paperwork. Read up on small business laws, accounting, taxes, licensing, and contracts. Time your projects so you know how much you need to charge to make a decent profit.
There are two common mistakes new costume/corset businesses seem make. They either start selling too early, run into quality issues, and tarnish their reputation with an unhappy client, or they have wonderful skills and simply undervalue their work by charging too little, making it difficult for the business to grow and be profitable.
Another word on pricing: just as with most work that has traditionally been done by women and marginalized communities, costuming and sewing work has been systemically underpaid for centuries. Many of us are trying to change this perception by asking fair wages and pricing accordingly. When you under price, you lower the market value for every other maker who is trying to carve out a decent standard of living. Redthreaded is proud to be able to pay employees well above minimum wage--as it should be for a skilled trade requiring higher education.